Comparative Literature is a field of study that examines literature across linguistic, national, and cultural boundaries. It seeks to understand literary works not as isolated products of a single nation but as expressions of universal human experiences that constantly interact with one another. Within this framework, World Literature forms an essential and inseparable component because it provides the broad corpus through which comparative analysis becomes meaningful. The two concepts are closely interconnected, with World Literature offering the scope and Comparative Literature providing the method. The idea of World Literature was first articulated systematically by Johann Wolfgang von Goethe in the early nineteenth century. Goethe envisioned a literary world in which works from different cultures would circulate beyond national borders, enriching humanity through mutual exchange. This vision laid the foundation for comparative literary studies by encouraging readers and scholars to appreciate literature as a global phenomenon rather than a collection of separate national traditions. Comparative Literature depends on World Literature because comparison requires diversity. Literary works from different countries, languages, and historical periods become the basis for examining similarities, differences, influences, adaptations, and shared themes. Without access to the vast body of World Literature, Comparative Literature would remain limited to national literary traditions and would lose its interdisciplinary and international character. World Literature encompasses literary texts that travel across cultures through translation. Translation is therefore a crucial link between World Literature and Comparative Literature. It enables readers to engage with works written in languages they do not know and facilitates cross-cultural dialogue. Through translated texts, scholars compare styles, motifs, genres, symbols, and philosophical