Arthur Miller's *Death of a Salesman* is regarded as one of the finest examples of realistic tragedy in modern American literature. First performed in 1949, the play departs from the conventions of classical tragedy by presenting the life of an ordinary man rather than a king or noble hero. Miller believed that the common man is as suitable a subject for tragedy as any aristocratic figure because the struggle for dignity, identity, and self-respect is universal. Through the character of Willy Loman, Miller creates a tragic figure whose downfall results not from supernatural forces or fate but from personal illusions, social pressures, and economic realities. The realism of the play is reflected in its setting, characters, language, and themes. The events take place in a middle-class American household in Brooklyn, where financial insecurity, family conflicts, and career disappointments dominate everyday life. The characters speak in natural language and display ordinary emotions, making them believable representatives of American society. Willy Loman is a traveling salesman nearing the end of his career. He struggles with declining health, diminishing professional success, and increasing debts. His wife Linda is a devoted homemaker who provides emotional support despite the family's hardships. Their sons, Biff and Happy, represent different responses to their father's expectations and the values of American society. These realistic portrayals allow audiences to identify with the characters and their struggles. The tragedy of Willy Loman arises from his inability to distinguish reality from illusion. He firmly believes that personal charm, popularity, and physical attractiveness guarantee success. This belief reflects his misunderstanding of the American Dream, which promises