Wallace Stevens' *Sunday Morning* is one of the finest achievements of twentieth-century American poetry. First published in 1915 and later revised, the poem reflects Stevens' philosophical approach to life, religion, nature, and human existence. It presents a modern vision in which earthly experience, beauty, and imagination replace traditional religious faith as sources of meaning. Through rich imagery, symbolic language, and reflective meditation, Stevens questions established Christian beliefs and celebrates the value of the natural world. The poem begins with a woman enjoying a peaceful Sunday morning in the comfort of her home instead of attending church. She is surrounded by sunlight, fruits, flowers, and birds, all of which symbolize the richness and pleasure of earthly life. However, this happiness is interrupted by thoughts of religion and mortality. The woman wonders whether spiritual fulfillment must always depend upon sacrifice, heaven, and divine promises. Stevens uses this situation to introduce the central conflict between religious faith and the appreciation of life on earth. One of the most important themes of the poem is the rejection of traditional Christianity as the only path to truth. Stevens questions the Christian idea that true happiness lies in heaven after death. Instead, he argues that beauty becomes meaningful because it is temporary. Human life gains value precisely because it is limited. If everything were eternal, there would be no urgency to appreciate