Drama translation is one of the most complex forms of literary translation because a play is written not only to be read but also to be performed on stage. The translator has to preserve the literary beauty of the original text while ensuring that the translated version is suitable for actors, directors, and audiences. Unlike the translation of prose or poetry, drama translation requires attention to dialogue, performance, culture, emotions, rhythm, and stage presentation. Therefore, the translator must possess linguistic competence, literary sensitivity, theatrical understanding, and cultural awareness. One of the major problems in drama translation is the translation of dialogues. Dramatic dialogues must sound natural and spontaneous in the target language. If the translator follows the source text too literally, the dialogues may become artificial and difficult for actors to speak. At the same time, excessive freedom may result in the loss of the original author's style and intention. Another important challenge is the preservation of cultural elements. Plays often contain customs, traditions, social practices, historical references, myths, religious beliefs, and local expressions that are familiar to the source audience but unfamiliar to the target audience. The translator must decide whether to retain these cultural references, explain them, or replace them with culturally equivalent expressions. This balance between faithfulness and accessibility is