Rajasthani miniature painting represents one of the most vibrant and diverse traditions of Indian art, flourishing mainly between the 16th and 19th centuries in the princely courts of Rajasthan. These paintings are known for their rich colors, intricate detailing, stylized figures, and strong emotional and symbolic expression. Developed under the patronage of Rajput rulers, this style reflects a synthesis of indigenous artistic traditions and selective influences from Mughal Empire painting, yet it maintains a distinct identity rooted in regional culture, religious devotion, and courtly life. The term “miniature” refers not merely to the size of the painting but to the fine and delicate execution that requires great skill and precision. These paintings were generally created on paper using natural pigments derived from minerals, vegetables, gold, and silver. Artists used extremely fine brushes made from squirrel hair to achieve minute detailing. The themes of Rajasthani miniature paintings are diverse, ranging from religious narratives, particularly stories of Krishna and Rama, to court scenes, hunting expeditions, festivals, and depictions of nature and seasons. One of the most important characteristics of Rajasthani miniature painting is its regional diversity. Different schools developed in various Rajput courts, each with its own stylistic features, color schemes, and thematic preferences. Among the prominent schools are Mewar, Marwar, Bundi, Kota, Jaipur, Bikaner, and Kishangarh. The Mewar School is considered one of the earliest and most traditional forms. It developed in the region of Udaipur and nearby areas. Mewar paintings are characterized by bold lines, bright colors, and a strong sense of narrative. They often depict scenes from Hindu epics like the Ramayana and Mahabharata, as well as devotional themes centered on Krishna. The use of flat backgrounds, stylized trees, and architectural elements gives these paintings a distinctive folk-like