Mobile Journalism (MoJo) refers to the practice of gathering, producing, editing, and distributing news content primarily through mobile devices such as smartphones and tablets. It combines traditional journalistic principles with digital technology, enabling reporters and ordinary citizens to capture photos, record videos, conduct interviews, edit stories, and broadcast information instantly from virtually any location. With the rapid spread of affordable smartphones, high-speed internet, and social media platforms, MoJo has transformed the media landscape by lowering barriers to entry and empowering individuals to participate in the news production process. Unlike conventional journalism that relies on large production crews and specialized equipment, MoJo emphasizes portability, immediacy, and accessibility, allowing journalists to respond quickly to breaking events while also encouraging citizens to document and share experiences that might otherwise remain invisible. One of the most significant changes brought about by MoJo is the democratization of news gathering. Citizens equipped with smartphones can capture real-time footage of protests, natural disasters, accidents, or political developments before professional journalists arrive at the scene. This immediate documentation has increased the diversity of perspectives represented in news coverage and has challenged the monopoly once held by large media organizations. Events that were previously underreported or ignored by mainstream media now gain visibility through user-generated videos and social media posts, often forcing traditional broadcasters to pay attention to grassroots narratives. The speed with which information travels has also reshaped newsroom workflows, pushing journalists to monitor online platforms continuously and verify emerging content in real time. MoJo has also redefined the role of professional journalists. Instead of working exclusively from studios or relying on expensive broadcasting technology, reporters now function as multi-skilled storytellers who can shoot, edit, and publish stories independently using mobile applications. This mobility allows journalists to reach remote or conflict-affected areas with minimal logistical support, enabling more immersive and immediate reporting. Live streaming from smartphones has made it possible to broadcast events as they unfold, reducing the delay between occurrence and public awareness. Additionally, the interactive nature of online platforms encourages journalists to engage directly with audiences through comments, live chats, and social media discussions, fostering a more participatory form of journalism. Another transformation lies in the narrative style and storytelling techniques used in MoJo. Mobile-based reporting often prioritizes short, visually compelling content suited to social media consumption. Vertical video formats, short clips, and real-time updates cater to audiences who prefer quick, accessible information rather than long-form traditional broadcasts. Data visualization apps and editing tools allow journalists to produce high-quality multimedia packages directly from their phones. This flexibility has encouraged experimentation with storytelling formats, including immersive live coverage, citizen interviews, and hyperlocal reporting that highlights community-level issues. Despite these opportunities, the widespread use of smartphones