Ridley Scott’s *Robin Hood* (2010) reconstructs the legendary figure of Robin Hood by moving away from the familiar romantic outlaw of medieval ballads and later popular adaptations to present a more realistic, historical, and politically conscious hero. The film blends traditional folk motifs with the techniques of popular culture, creating a narrative that appeals to modern audiences while preserving the essential spirit of the Robin Hood legend. This process of reconstruction demonstrates how folk narratives continue to evolve through contemporary media. The Robin Hood legend originated in English folk tradition through oral ballads that celebrated an outlaw who resisted injustice, protected the poor, and challenged corrupt authorities. These folk narratives emphasized bravery, generosity, and loyalty to common people rather than strict historical accuracy. Scott’s film retains these central folk values but places them within a broader historical framework connected to King Richard I, Prince John, and the signing of the Magna Carta. Instead of presenting Robin as an already famous outlaw, the film imagines his transformation from an ordinary archer into a defender of justice. This reinterpretation reflects the dynamic nature of folklore, where stories are constantly reshaped to suit changing cultural contexts. The film preserves several traditional folk elements. Robin remains a champion of the oppressed, opposing excessive taxation and the exploitation of peasants. His concern for ordinary villagers reflects the moral ideals found in folk literature, where heroes represent the collective aspirations of common people. For example, Robin organizes villagers to defend Nottingham from foreign invasion, emphasizing community solidarity rather than individual heroism. This collective resistance echoes the communal values that characterize many folk traditions, including Indian folk epics where heroes emerge from among the people to