Question

Comment of Longinus' theory of the Sublime?

16 Feb 2018
Answer :
Word Count : 1336

Longinus' theory of the Sublime, as outlined in his work *On the Sublime* (*Peri Hypsous*), is one of the most influential early contributions to the field of literary criticism and theory. Longinus, believed to be a Greek philosopher and critic from the 1st century AD, focuses primarily on the aesthetic qualities of literature and rhetoric, examining what makes a work truly powerful and capable of evoking an overwhelming emotional response in its audience. His theory, which has had a lasting impact on Western literary thought, provides a nuanced and complex framework for understanding the transcendent qualities of great literature. It is not confined to any specific genre but is rather concerned with the underlying qualities that can elevate a work of art, particularly through language.

At the heart of Longinus’ theory of the Sublime is the notion that the Sublime is something that goes beyond ordinary beauty and grandeur, reaching into the realm of the divine or the transcendent. It is a quality that, when present in a work, is capable of elevating the mind and soul of the reader, transporting them to a higher state of awareness and emotional intensity. The Sublime, as Longinus posits, is not merely an aesthetic or formal feature, but a deep, almost mystical experience that the reader or audience can have when confronted with certain texts or speeches. This feeling is often described as being ineffable, something that cannot be fully captured or articulated in language itself.

One of the key aspects of Longinus’ theory is that the Sublime is tied to the use of language and rhetoric. The Sublime is not simply an inherent quality of a work, but rather something that emerges through the skillful manipulation of language. According to Longinus, the most powerful works of literature, oratory, and poetry are those that make use of certain rhetorical devices and stylistic techniques in a way that elevates the subject matter and captures the audience’s imagination. The Sublime, therefore, emerges from a harmony between the subject, the

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