The representation of queer characters (LGBTQ+) in Hindi cinema has evolved significantly over time, reflecting broader social, cultural, and political changes in Indian society. For decades, mainstream Hindi cinema, popularly known as Bollywood, either erased queer identities or portrayed them through stereotypes, ridicule, and moral judgment. However, in recent years, there has been a gradual shift toward more nuanced and empathetic portrayals, although challenges and limitations remain. In the earlier decades of Hindi cinema, queer characters were almost entirely absent from serious narratives. When they did appear, they were often coded rather than explicitly identified as LGBTQ+. Effeminate male characters were used as comic relief, reinforcing the idea that non-heteronormative gender expression was something to be laughed at. These portrayals did not explore the emotional or social realities of queer lives but instead relied on exaggerated mannerisms, high-pitched voices, and flamboyant clothing to signal difference. Such depictions reinforced rigid gender binaries and perpetuated the assumption that heterosexuality was the default and only acceptable norm. One of the first major mainstream films to address same-sex desire more directly was Fire, directed by Deepa Mehta. The film portrayed a romantic relationship between two women trapped in unhappy heterosexual marriages. Its release in the late 1990s generated significant controversy and protests, revealing the deep discomfort within society regarding open discussions of lesbian relationships. Despite the backlash, the film marked an important moment in Hindi-language cinema by presenting queer desire as