Oral narratives in folklore function as dynamic, living expressions of collective memory that move fluidly across media, contexts, and generations, thereby exemplifying transmedial representation. Unlike fixed literary texts, oral narratives are inherently adaptable, shaped by performance, audience interaction, and socio-cultural environments. Their transmedial nature lies in their ability to exist simultaneously in spoken word, written documentation, visual representation, digital media, and performative traditions, allowing them to transcend the boundaries of a single medium while retaining their core narrative structures and meanings. The concept of transmediality emphasizes how a narrative is not confined to one form but unfolds across multiple platforms, each contributing uniquely to its interpretation and reception. In folklore, oral narratives such as myths, legends, folktales, and epics often originate in spoken traditions but later find expression in literature, theater, film, visual arts, and digital storytelling. This movement across media does not merely replicate the story but transforms it, incorporating new stylistic elements, cultural interpretations, and technological possibilities. For instance, a folktale narrated orally in a village setting may later be adapted into a written story, illustrated in children’s books, dramatized in theater, or animated in digital formats, each version adding layers of meaning and accessibility. Performance is central to understanding oral narratives as transmedial forms. The oral storyteller employs voice modulation, gestures, facial expressions, and audience engagement to bring the narrative to life. These performative elements often get translated into other media through visual cues, sound design, and narrative techniques. In